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Remembering Troy Anthony Davis

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Birmingham Masthead Reprint    Two years ago there was a mass movement to save the life of Troy Anthony Davis. Thousands of people from around the United States and countries such as Angola and England took to the streets to demand Davis’s life be spared. Sadly, the Georgia State Board of Pardons and Parole Board, which was headed by a Black man named Albert Murray, denied Davis’s life be spared.
Troy Anthony Davis sat on death row for roughly 20 years, for the murder of police Mark MacPhail on August 19, 1989. Seven witnesses testified that they saw Davis kill officer MacPhail. Two others testified that Davis confessed to the murder, even though the murder weapon was never recovered. Davis was convicted of murder and sentenced to death in August 1991. In latter years, seven out of the nine witnesses recanted or changed their testimonies, as they claimed that they were coerced by the police.
On September 7, 2011 the state of Georgia set Davis’s execution date for September 21, 2011. On that night, the Associated Press announced that White House Press Secretary, Jay Carney, had announced that President Barack Obama would not intervene in Davis’s case. At 10:53 p.m. the execution of Troy Anthony Davis began. In his final words Davis maintained his innocence saying: “I ask my family and friends that you all continue to pray, that you all continue to pray, that you all continue to forgive. Continue to fight this fight. For those about to take my life, may God have mercy on all of your souls. God bless you all.”
Troy Anthony Davis was laid to rest October 1, 2011.
We as a human race, whether you’re Black, White, Hispanic, or Asian continue the struggle for Human Rights for all. What happened to Troy Anthony Davis, we can’t continue to let happen. If we don’t stop it, we will continue to have wrongful deaths of innocent people. My challenge to the readers of this is to get involved with groups such as the NAACP, the Urban League, SCLC, and Amnesty International, so that we can help fight against the injustices of all people.

My name is Jeremy Houston.
I’m a six year Marine Corpsman who fought in Afghanistan.
I’m a volunteer at the Natchez Museum of African American History.

Multicultural Scholarship Helps Close Diversity Shortage Gap in Medicine

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multiculturalGo Red™ Multicultural Scholarship continues Macy’s ongoing support of the Go Red For Women movement

DALLAS/ BLACK PR WIRE — Nefertiti Clavon, 22, struggles to keep up with rising tuition costs and other college expenses.
“There were times I felt I was going to have to leave school because of financial situations,” said Clavon, a health promotions student at the University of Houston in Texas. “I’m grateful there is a scholarship available for female students pursuing healthcare studies.”
Clavon is one of 16 recipients of the 2013 Go Red Multicultural Scholarship, part of the American Heart Association and Macy’s Go Red™ Multicultural Scholarship Fund.
The fund — now in its third year — provides $2,500 scholarships for multicultural women pursuing college or graduate school degrees in healthcare fields. Besides easing the financial burden for students, the American Heart Association and its supporters are striving to increase the number of underrepresented minorities in medicine and increase culturally-sensitive, patient care.
The number of minority medical school graduates is increasing steadily, according to the Association of American Medical Colleges. However, the figures are still low compared with the population at large. For example, among 17,364 medical school graduates in 2011, 6.5 percent were African-American, 7.6 percent were Hispanic and 21.6 percent were Asian.
Only 5.4 percent of African-American and 3.6 percent of Hispanic nurses in the nation are registered nurses, according to the Bureau of Labor Statistics. In contrast, minorities make up 36.6 percent of the U.S. population.
“Building a diverse physician and medical workforce is a critical component in the delivery of patient-centered care to the multicultural communities that will enter the healthcare system once the Affordable Care Act is implemented,” said Dr. Jennifer Mieres, senior vice president in the Office of Community and Public Health, chief diversity and inclusion officer for North Shore — LIJ Health System and American Heart Association Go Red For Women spokesperson. “The recruitment of talented, young diverse women into the healthcare field is a critical step in the delivery of quality, culturally-sensitive, patient-centered care.”
Numerous ethnic groups — including African-Americans and Hispanics — are disproportionately affected by cardiovascular disease and risk factors. They also face barriers to diagnosis and care and experience worse health outcomes than Caucasians.
The Go Red™ Multicultural Scholarship is made possible by the Macy’s Multicultural Fund, which was created in 2009 to focus on increasing diversity in the medical field. Macy’s is a founding national sponsor of the American Heart Association’s Go Red For Women® and Go Red Por Tu Corazón, raising more than $46 million since 2004.
“Encouraging and supporting multiethnic students as they join the ranks of healthcare professionals will more effectively impact the disproportionate rates of heart disease among women in their own communities, ” said Bill Hawthorne, Macy’s senior vice-president of Diversity Strategies.

For more information and to complete an application, visit GoRedForWomen.org. The deadline to apply for 2014 scholarships is Dec. 31, 2013.

ASPiRE’S Original SeriesS “ABFF INDEPENDENT” Returns for a Second Season

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Omari Hardwick Hosted by Omari Hardwick (Sparkle, “Dark Blue”)

ATLANTA –(BLACK PR WIRE) –  ASPiRE’s (@tvASPiRE) acclaimed original series “ABFF Independent” will return for a second season with six all-new episodes, beginning on Monday, September 30 at 8 p.m. EDT.  The weekly two-hour show, hosted by actor Omari Hardwick (Sparkle, “Dark Blue”) presents the best independent shorts, feature films and documentaries from emerging Black artists. “ABFF Independent” airs Mondays at 8 p.m. EDT, with repeat airings Monday at 11 p.m., Saturday at 2 p.m., 8 p.m. and 11 p.m., and the following Monday at 2 p.m. EDT.
“With our partner ABFF, we are proud to bring ‘ABFF Independent’ back for an exciting second season,” said Paul Butler, general manager, ASPiRE.  “The series continues to provide an important spotlight for a variety of fun, provocative and moving independent projects from talented African-American voices.”
“The Black experience is essential to American culture and it’s vital that we see it on television,” said Jeff Friday, ABFF founder, and Founder and CEO of Film Life Inc.  “We are very pleased to join forces with ASPIRE to bring these diverse films to national audiences.”
“I am first and foremost, very humbled to be asked back as host of such an important endeavor,” said Omari Hardwick, ABFF Independent host, actor and poet. “I am excited to host this series that features quality, dynamic original films at a time when our stories are even more important to tell than ever.  ‘ABFF Independent’ is the perfect show for faithful film lovers who often don’t get the opportunity to view such diamonds in the rough!”

Taste of Home Cooking School Brings the Taste of Fall to Birmingham

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taste of HomeMichelle Roberts adds culinary kick to the season, shares recipes with local home cooks
 
BIRMINGHAM —The perfect recipe for creating new memories with loved ones includes good friends, good conversation and, of course, great food. As home cooks across the country head back to the kitchen to cook up fall’s comforting favorites, the Taste of Home Cooking School is preparing to share seasonal recipes that are certain to delight.
Taste of Home’s local culinary specialist Michelle Roberts will be at the Birmingham Jefferson Convention Complex on Thursday, October 3 at 11:30 a.m and 3:30 p.m. to share her home cooking tips and tricks while demonstrating step-by-step recipes for the season’s best dishes.
The Taste of Home Cooking School is America’s leading cooking school program, inspiring more than 300,000 passionate home chefs at approximately 300 events nationwide. Attendees experience exciting recipe demonstrations using ingredients that are easily found at the local grocery store and best of all, the dishes are submitted by home cooks from across the country.
“From experienced home chefs to beginners learning their way around the kitchen, the Taste of Home Cooking School offers something for everyone – putting a fresh spin on old favorites and adding new recipes to your seasonal repertoire,” said Michelle Roberts, Taste of Home Culinary Specialist. “Spinach Stuffed Chicken Pockets is one of the recipes that will be demonstrated at the show. With their creamy filling and delightful crispy crust, these elegant entrees are easy enough for weeknights, yet special enough for company, too.”
Attendees will receive a gift bag valued at more than $60 including the Taste of Home Cooking School magazine. This 68-page special issue includes recipes featured during the program, along with many more, as well as coupons from participating national food companies. Attendees can also enter for a chance to win one of many door prizes, including the recipes created onstage that night.
Visit www.SouthernWomensShow.com and click on Taste of Home for complete ticket information and show highlights.
Show hours are Thursday 10 a.m. – 7 p.m.; Friday, 10 a.m.-8 p.m.; Saturday 10 a.m. – 7 p.m. and Sunday 11 a.m.– 5 p.m. Admission is $10 at the door, $8 in advance online, $7 in advance at participating Piggly Wiggly stores, $5 for children 6–12 years old and free for children under 6 years of age (with paying adult). Special $5 after 5 p.m. pricing is available every day. Tickets for the Taste of Home Cooking School are $13 online at www.SouthernWomensShow.com and include admission to the Southern Women’s Show.
For group discount tickets and more information, call (800) 849-0248 or visit www.SouthernWomensShow.com. Show sponsors include Piggly Wiggly and Chevrolet.

Blaise Brooks Releases “Clean Comedy on Dirty Sunset”

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BlaiseBrooks_black shirt _HSby Jessica Jones
Times Writer

Some people are fortunate enough to do what they love and get paid for it. For Blaise Brooks, a comedian and actress based in Los Angeles, her passion became her job when she decided to begin performing clean comedy routines and eventually signed a deal with a distribution company for her film, “Clean Comedy on Dirty Sunset.”
Produced, written and directed by Brooks, her debut DVD, to be released October of this year, “Clean Comedy on Dirty Sunset,” is an innovative film that mixes clean standup comedy with skits, a concept that has never been done. Based on the often hypocritical nature of some church-goers, the film follows what happens when two pastors ask a church member to go out and find two true believers. Along the way, they run into four people, all played by Brooks herself, who tell them they are true believers, but whose actions show otherwise. The storyline is centered about each character’s relationship with God and the spiritual.
Brooks describes her characters in a way that would make anyone think he or she knows someone similar. For instance, there’s Sally Cherry, a character Brooks describes as a “homeless prayer warrior” who wanted to be an entertainer but could never make it. Instead, she prays for others to help them fulfill their dreams, but “can never seem to pray the right kind of prayer for them” because of her bitterness over her failure.
Other characters include Coretta Gin, a hopeful country music star with no talent, Urthwynda Fyre, a false prophet and healer and all around scam artist, and Imunique Jenkins, ‘‘an All-American ghetto girl fresh out of jail,” who renounced her old life in prison, but goes back to her sinful ways after her release.
It was a long road to get the film written, produced and picked up by a distribution company. Brooks’ journey toward a career in the entertainment business began when she picked up and moved from Kansas City, Mo. to Los Angeles, Calif. where she began studying drama.
“In February of 2004 I packed my car with my clothes, my Mother and two year old daughter and drove to California,” Brooks said. “My Mother was with me to help take care of my daughter while I drove, but she was also there because she knew that my passion was performing and she supported my decision to pursue a career in the entertainment industry.”
Brooks was an accounting manager at CBS when she realized that just making money wasn’t satisfying and working at a television station fueled her desire for a career in entertainment. She eventually left her unfulfilling job as an accountant in favor of something she felt was her passion, but she also left the security and support of the family she’d left behind in Kansas City, where she was born and raised.
“My Mother was the only one that wholeheartedly supported my decision to pursue acting,” she said. “The rest of my family thought it was a long shot, and that I should not have taken my daughter away from the life that we had. They supported me, but not my dream of becoming an entertainer.”
Her family’s concern wasn’t unfounded; the entertainment industry has a reputation for creating struggling artists and, after leaving a job that provided steady income to chase a dream that led to occasional work here and there, Brooks wasn’t exempt. Add to that the high cost of living in Los Angeles.
“When I arrived in Los Angeles, I had about $3,000 and within six weeks it was gone,” she said. “Gasoline, food, rent, and everything else are double and sometimes triple the cost that it was in Kansas City, Mo. My first job was working as a non-union background actor at minimum wage. I was so happy to be on a set, but once I received that $47 check, I wanted to get in my car and go back to Missouri. I also remember a day when my daughter asked for a bag of chips, and I didn’t have a dollar to get them. I hit some very hard times, but I made it through. When God has a plan for your life, even the lack of money won’t get in the way.”
Brooks was determined make herself a success, not only for her own satisfaction, but for her daughter’s financial security and to set an example her daughter would be proud to follow.
“I feel obligated every day to be successful for my daughter,” Brooks said. “I took her from a community of close knit family members and have surrounded her with people that I associate with, and for that I feel a little guilt over doing that to her. On the other hand, I know she is not a small town girl, and I want her to have the courage to step out and find her way in this world, and I don’t want her to stay in her comfort zone because it is the easy thing to do. I want her to have the strength to follow her dreams. My obligation as a mother is to provide the best life possible for her, and I want the decision that I made to pursue an acting career, to help give her the life that she can be proud of and happy with.”
In spite of the financial difficulties she faced, she was able to have experiences that she couldn’t have had anywhere else, let alone at home in Kansas City.
“I was able to work on various sets as a background actor and that afforded me the opportunity to see celebrities up close and personal,” Brooks said. “I would not have been able to do that in Kansas City. I also did bookkeeping for different production companies, and I was able to go to some Hollywood parties, and red carpet events with big name super stars. Kansas City, Mo. is a great place to raise a family, and it’s a great place to find a career and settle down. But the type of career that I was trying to have, I would not be able to accomplish my entertainment industry goals in Kansas City, Mo.”
After having a few roles as an extra, Brooks thought to give comedy a try. She’d always had a talent for making people laugh, and she was already in show business, so the leap from actor to comedian wasn’t unreasonable. She began doing shows at comedy clubs, and her material was what she called “raunchy… the kind of crazy girl talk you have with the closest of friends.”
Now Brooks only does what she calls clean comedy; Brooks credits her daughter for the decision.
“My daughter came home one day and wanted to go on YouTube to look up a video, and that scared me, because I knew that my raunchy material was out there and I did not want her to ever see it or hear it,” Brooks said. “I knew then that I had to make a change, but I wasn’t sure how to make the crowd laugh without putting the raunchiness in my joke set. But I knew I couldn’t continue to do the same types of jokes either.
But her daughter wasn’t the only reason for changing her comedy routines. A church member took issue with the fact that she did raunchy comedy, but claimed to be a Christian. It had been a year since Brooks had done a raunchy comedy set, and she assured the church member that those jokes were no longer part of her routine.
Deciding to do clean comedy was only the first step; the second would be to actually perform the material and get the same reaction she’d gotten from risqué jokes. Her first chance came when she performed at The Underground Church.
“I did my clean comedy joke set and the crowd loved it,” she said. “After I was asked to perform at the Word in Motion dance festival, and that huge room of people laughed, and some laughed until they cried, and that is when I knew that I had made the right choice to change my joke set to clean comedy.”
Despite finding the affirmation of her talent in the laughter of audiences, Brooks discovered that she wasn’t getting as much work as she’d had in the past with her adult routine, something she attributes to clubs not being eager to invite clean comedians to the stage.
“My experience has been that you get fewer calls to work when your comedy is clean,” she said. “There is Bill Cosby, Sinbad, and a few other male clean comics that have made a mark in the industry, but there has yet to be an African American clean comic that has made that kind of a mark on the entertainment industry. There are female clean comics that have made a name on the church circuit, but not in Hollywood.”
Stand-up comedy routines weren’t coming as often and neither were television and commercial roles. That and the frustration of seeing commercials on television that she never got called to audition for, in addition to a lack of notoriety off stage, sparked Brooks’ idea for a 30 minute performance DVD to promote herself. This self-promotion would ultimately lead to her DVD, “Clean Comedy on Dirty Sunset.” In the film, Brooks plays four different characters and also does a standup routine. The film gives Brooks an opportunity to combine both her skills as a comedian as well as her acting skills in one project.
“Once I decided to do the standup video, more ideas came to me, and I decided that if I wanted to let the world see me as an actress then I need to do some acting in the video, and that is why I incorporated the four characters,” Brooks said. “I asked every acting friend that I knew to be in the project, and most of them said yes.”
Brooks said she needed someone to direct the film, but no one would take her up on the offer. She decided that if she was going to write the material, she chose to do the directing, too.
It took about seven months from start to finish to complete the film. The filming was no trouble, but when it came time to find a home for the project, Brooks once again found herself frustrated with the picky entertainment industry.
“The biggest hurdle was getting distribution for a one of a kind film” she said. “Never before had anyone put standup and skits in a feature length film, and no one wanted to take a chance on it. Finances were my first big obstacle, but I think that is with any project or goal. The second was to obtain a distribution deal. My entire cast was amazing and no trouble at all. Once you have a product, the hard part is to get someone to believe in it as much as you do.”
Finding a distributor wasn’t difficult because the material wasn’t good; it was difficult because never before had there been a feature-length production that included standup comedy.
“I am the first African American clean comic who has ever gotten a distribution deal for her own project,” she said. “This film is the first of its kind, and has created a new genre in film. I believe that it was hard for anyone to grasp the idea of this working and/or selling. Because no one had ever done a film like this before, no one knew how to market it. No one could pinpoint a target audience, no one had anything to compare it to, and I believe that is what took me so long to get a distributor on board.
The roadblocks were many, but there were also blessings that assured Brooks that she was doing exactly what she was called to do.
“When I needed the last $2000, a company that I had done some contract work for loaned it to me,” she said. “My editor hung in there with me until the very end. My entire cast worked for deferred pay, my distributor is handling everything on his end. I landed a new agent because she liked my trailer to the film. I changed my title from actress to Producer/Director.”
After two years of not being able to hook a distributor, Brooks said she became so fearful that her work would look outdated, she actually considered giving up on her search, but just when she thought it was over, she had a breakthrough.
“I decided that I would do another round of e-mails to several distributors and for the first time two of them were interested. Well, the end of the story is that I have a worldwide DVD distribution deal.”
The relief of finally having a distributor was so great, that at times she couldn’t believe the payoff of her diligence and dedication to her calling.
“It was unbelievable,” Brooks said. “For several days, I would just sit and stare into space. I also would start crying tears of joy and relief at random moments. The main thing that I couldn’t do well enough was to thank God. I felt like the words coming out of my mouth did not describe how thankful, grateful, and humbled I was by the favor that He had just given me. I finally called the distributor to hear him say that this was real, and once we spoke, I took a few more days to give thanks, cry and stare into space.”
The process was long and sometimes discouraging, it taught her that persistence is rewarded with achievement.
“I have learned that success comes from hard work, perseverance, and faith that you can achieve the vision that is inside of you,” she said. “I also know that my faith in God is what helped me to persevere and believe that I could achieve whatever I put my mind to. I have learned that if the doors won’t open for you then you need to build your own doors to walk through.”

BOOK NEWS

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Book NewsBy Esther Callens

A true bona fide cindafella story has been written by an up and coming novelist. The Residue Years – A Novel is the title of this remarkable read. Mitchell S. Jackson, its author has sketched a detailed portrait of the life that many have lived but few survive long enough to tell about.  It is highly engrossing.
How did Mitchell S. Jackson pen a novel of this magnitude? What was his inspiration?  The answer he found lies in himself.  The Residue Years is, to a certain extent, Jackson’s autobiographical novel. It proves that Jackson is a complex young man with an amazing story. It is an incredible debut narrative.
The Residue Years tell the stories of a young man called Champ and his mother, Grace.  To say their lives are complicated would be a compliment to them equally as the battle that they are both fighting hail very few winners. Champ is a young man with a lot of responsibility. Although he has a bright future (he is a college student), he has the task of supporting his mother and two younger brothers. Given such a huge undertaking, he resorts to selling drugs. Eventually Champ’s life takes an unexpected turn.
At one time, Grace led a fulfilling life. But that was before the drugs. Just out of a treatment facility, she is now trying to stay on the straight and narrow. She is working hard to stay clean in hopes of getting her kids back. But this is proving to be harder than it seems.  Both Grace and Champ have a date with destiny. But little do they know its outcome is solely left in their hands.
Mitchell S. Jackson grew up a child of the nineties in an impoverished section of Portland, Oregon. He fell prey to the streets and got caught selling drugs. While incarcerated, he began writing. Years after his release, he earned his Masters and M. F. A. in writing. He is an accomplished journalist whose work has appeared in various media such as The Source, Vibe, etc. Mitchell S. Jackson’s life is a testament that dire circumstances can be overcome with a healthy dose of
determination.

An Open Letter to Members of The Alabama Constitution Revision Commission

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hank_sandersDear Commission Members:
I ask you to help move us forward to a future of hope and promise.  Please do not take us back to the past of fear and trepidation. The choice is really in your hands.
Your vote on the proposed Constitution Amendment providing for public education makes a clear choice between a bright future filled with hope and promise and a storm-cloud-filled future of fear and trepidation. Your vote makes that choice not just for you, but the future of all who live, work and struggle in Alabama. Your vote makes that choice for students, parents, communities, businesses, varied institutions and all of us regardless of our status in society. It is a profound choice with far-reaching consequences, and it’s in your hands.
I know firsthand the power of public education. My family was very large with 15 members including my mother, father and 13 children.  At one time, 11 of us lived in a three room house. And I do not mean a three bedroom house but a three room house: a kitchen; a middle room; and a front room. We were also extremely poor materially. Food would sometimes run out on Wednesday, and we had nothing but blobs of grits until more food could be purchased on Friday. My future was circumscribed by harsh poverty and stifling segregation, but public education made the difference (although I had to take algebra and geometry at night in New York after graduating from high school in Alabama because African American schools in our neck of the woods did not provide these courses).
Without public education, I would not have graduated from high school or attended college or law school. I would not have become a lawyer or served in the Alabama State Senate or served in so many other capacities. I would not have written a novel or some 1,371 Sketches. Public education made a world of difference for me and for millions of others. We owe that same opportunity to our children and our children’s children. It must be a right, not a privilege. That choice is in your hands.
The choice is simple and clear: support a proposed Constitution Amendment that gives our children an unqualified right to a public education. Commission members, the 22-word proposal before you was this: The Legislature shall establish, organize and maintain a system of public schools throughout the state for the benefit of the children thereof.  That provision is considerably less than the “liberal system of public schools” provided by the 1901 Alabama Constitution.  However, we will accept that reduction in order to go forward.
What we cannot accept is the sleight of hand proposal you adopted in the Commission. You voted to add these words to the 22-word proposal: “Provided that nothing in this section shall create any judicially enforceable rights or obligations ….”  These additional words take us back to our stormy past of fear and trepidation. And the choice is in your hands.
This is a sleight of hand proposal. It gives a right to education with one hand and takes it away with the other. Nothing is a “right” if it cannot be judicially enforced. This is exactly what was done in the mid 1950s when the following language was added to the 1901 Alabama Constitution: “Nothing in this Constitution shall be construed as creating or recognizing any right to education or training at public expense.” This provision was enacted to prevent African American students from receiving a real public education. The wording was slightly different than that adopted by you, but it achieved the exact same result: public education as something less than a right. Counter actions will not just affect African American children but Alabama’s children in general.
Every other state in the United States, all 49 of them, have made public education an unqualified right. However, Alabama is once again turning back to a storm-filled past of fear and trepidation rather than moving forward into a future of hope and promise. And the choice is in your hands.
Members of the Constitution Revision Commission, I beg you to reconsider and change your vote in order to move us forward. Our children deserve no less. Our communities deserve no less. Our businesses deserve no less. Our varied institutions deserve no less. Our people deserve no less. And the choice – forward to a future filled with hope and promise or back to a past filled with fear and trepidation – is in your hands. Please handle our future with great care and clear foresight based on hope and promise, not fear and trepidation.
Education is a basic state right. With education, all our other rights are enhanced. Without education, all our other rights are diminished. With education, we rise. Without education, we are stuck. We must have a real right to a real education.
Sincerely,
Hank Sanders

One Man’s Opinion

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Dr. Jesse J. Lewis, Sr.
Dr. Jesse J. Lewis, Sr.
Dr. Jesse J. Lewis, Sr.

The dumbest article I have ever read
by Jesse J. Lewis, Sr.

Last week a reporter from al.com named Brandon Kirby from Mobile, Ala. wrote the article based upon some information by Shelly McGrath, a justice science professor at the University of Alabama at Birmingham.
Here’s what the article basically said: The federal government spends a lot of money tearing down dilapidated houses and builds two HOPE VI Projects: Park Place downtown and Tuxedo Terraces in  Ensley. The theory was that reducing large concentrations of poverty would alleviate high crime and other social problems. According to McGrath’s research, the crime rate patterns changed and spread. She further stated that she is currently examining the relationship between that trend and government subsided housing under the Section 8 program when low-income families had to move out of public housing.
This means she has not finished analyzing the data. In other words, the writer of the article automatically assumed, based upon partial information given to him, that when people who move into a  different environment and were no longer living in rows and rows of public housing units, crime increases.
Brandon Kirby did not contact anyone at the Housing Authority to get their perspective of the story. Mrs. Naomi Truman, Executive Director of the Birmingham Housing Authority, called the writer and he rewrote the article with the same headline only adding ‘according  to Mrs. Truman, crime has not increased.’ After quoting Mrs. Truman, he repeated the allegations of Shelley McGrath. Ms. McGrath said homicides were concentrated in the west and central part of the city from 1991 to 1993. By 2006-2008, the killings covered a greater part of the city.
Mrs. Truman says she is willing to provide any information McGrath needs for her study showing that crime has not spread out in the City because of these new developments. Keep in mind, Ms. McGrath said “maybe my information is accurate.”
In plain and simple terms, there is no factual documentation that moving people from a crowded area into a home-like atmosphere increases crime. This article should never have been published by a responsible newspaper when there is not enough documentation to prove it. In addition to that, no reporter should write this type of article without attempting to contact someone at the Housing Authority to at least get their input. This is totally irresponsible journalism. I am shocked that the largest newspaper in the state of Alabama published this article.

William Bell in the spotlight

I was in Washington D. C. this weekend and the topic of conversation was Hillary Clinton’s bid for the presidency in 2016. Hillary Clinton’s supporters are 90 percent sure that she is going to run for the presidency and 100 percent sure that they would like to have a male from the South or extreme West, a Black or Hispanic to be the vice president on the ticket.
Guess whose name came up more than anyone else’s: William Bell.
William Bell’s name, over the the next three years, will come up many times on the national scene.

Can I win for losing?

Tiger Woods, in 2013, won five golf tournaments. The only player who came close won two. Now there’s a great debate as to whether or not he should be named Player of the Year because some people on the Golf Channel stated that Tiger Woods cheated. A few announcers on the Golf Channel sound like they work at Fox News.
Tiger admitted that the ball moved but oscillated. The camera responsible for the following of Tiger is a million dollar camera. If a gnat moved its leg the camera would pick it up. If Tiger says the ball oscillated, that should have been the end of it, yet they fined him a two stroke penalty and that should have been the end of that story. Now the Golf-Fox News Channel just insists that someone else should receive the award other than Tiger.
All I can say is poor Tiger.

email:jjlewis@birminghamtimes.com

Grammy-Nominated Producer Salaam Remi Debuts Salaam Remi One: In The Chamber

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Salaam Remi_One in the Chamber_cover[4]NEW YORK – The multi-leveled musical world of Grammy nominated producer Salaam Remi takes on new dimensions with the release of Salaam Remi One: In The Chamber and its first single, the title track “One In The Chamber.” Available digitally now and released through Remi’s label imprint Flying Buddha, the track is a collaboration with another Grammy nominated artist, platinum-selling R&B singer-songwriter Akon. The full album debuts digitally September 30, and features additional guest appearances by Ne-Yo, Corinne Bailey Rae, Stephen Marley and others in a fully orchestrated, richly imagined contemporary collection, encompassing a wide range of styles and musical forms.  Stream “One In The Chamber” ft. Akon: https://soundcloud.com/salaam-remi/one-in-the-chamber-feat-akon “Loving music of all genres and collaborators who feel the same is the core of this Lp. I’m pleased to make this the first of many journeys thru the world of music. Please join me for the ride,” says Remi.  As the Executive VP of A&R and Production at Sony Music, Remi works with the entire Sony Music family in addition to running his newimprint Louder Than Life, which includes the sub-imprints RemiFa and FlyingBuddha. Grammy nominated for Producer of the Year, Non-Classical in 2013, Remi has worked with Amy Winehouse, Alicia Keys, Miguel, NaS, The Fugees, Jazmine Sullivan, Nelly Furtado, Cee-Lo Green and Usher, among others. He has also worked on a variety of film projects including Blood Diamond, Gnomeo and Juliet and Tower Heist to name a few. He scored the film Sparkle starring Whitney Houston and Jordin Sparks, the Mike Tyson documentary, TYSON, and he was Executive Music Producer on the films Sex and the City 1 and 2 and Rush Hour 3.  “Salaam has the unique ability to pull together diverse artists in a cohesive and intricate way. The outcome is extremely creative and musical. We are thrilled to be working with him,”says Bogdan Roscic, President, Sony Masterworks. “Salaam Remi is a total music man – as a writer, arranger, producer and now as an artist. ‘In The Chamber’ is a complete beautiful trip,” says Chuck Mitchell, Senior Vice President of Sony Masterworks.

Belk, Discovery Education and ISTE Expand Reach Encouraging More Students to Make an Impact in Their Communities

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belkService based competition targets new cities and expands challenge to include younger grades
 
SILVER SPRING, Md. – For the second year in a row, Belk, Discovery Education and the International Society for Technology in Education (ISTE) are teaming up to encourage students to apply the skills they learn in the classroom to real-life challenges and facilitate positive changes in their communities. Targeting new cities and expanding to include fourth and fifth-graders, the second year of the Belk Service Learning Challenge will once again encourage students to improve their communities by undertaking a service-learning project of their choice.
The Belk Service Learning Challenge is currently open to all students in grades 4-8 living within 50 miles of Atlanta, Ga., Birmingham, Ala., and Greensboro/Winston-Salem/High Point, N.C. Working in teams of two to four with the support and guidance of a teacher/mentor, students are asked to identify a community issue and create an action plan using core classroom skills to solve the problem.
Entries for the Challenge are due by January 31, 2014. The grand prize winning team in each state will receive a $1,000 scholarship per student team member and a $250 teacher award. The second place team per state will receive a $500 scholarship per student team member and a $100 teacher award. The winning teams will also receive Belk prize packs for each student team member and teacher and will be celebrated at Belk in-store events in the spring.
“Taking an active role in our communities has been a core value at Belk since our founding almost 125 years ago, and teaming up with Discovery Education and ISTE in this initiative provides us an opportunity to teach students in our markets about the importance of service and giving back,” said Jessica Graham, Belk’s vice president of communications and community relations. “The winners of the inaugural Challenge have set the bar very high, and we are looking forward to seeing transformative projects from new participants.”
Winners of the inaugural year of the Challenge included the Neuse Christian Academy in Raleigh, N.C. who created an assistance program for a group of Burmese refugees living in the Raleigh area. With the prize money awarded to them, the students from Neuse Christian Academy organized a series of English language classes, a job fair, acclimation kit, and lobbied their local congressman for relief.
“Service learning projects like the Belk Service Learning Challenge are not only a terrific way to show youth that corporate America is interested in education but this type of project also serves as an incentive outside of the normal routine of school to recognize and motivate exceptional students,” said Les Burleson, student advisor to last year’s Grand Prize winners from Raleigh, N.C. “The benefits are undeniable. Teachers can use the Challenge as a part of their classroom differentiation plan and students can stretch their boundaries in ways that would otherwise not be available.”
To supplement the efforts of these students in their service learning projects, dynamic online destination BelkServiceLearningChallenge.com anchors the Challenge and equips 4th-8th grade classrooms with free, standards-based service-learning curriculum, including lesson plans and multimedia tools.

For more information on the Belk Service Learning Challenge or to view the free classroom resources, please visit BelkServiceLearningChallenge.com.