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Anthony Anderson to Host ‘The 45th NAACP Image Awards

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ANDERSON  LOS ANGELES – The NAACP and TV One has announced that Anthony Anderson will serve as host for the 45th NAACP Image Awards and the first group of presenters confirmed include Lupita Nyong’o, Tyler Perry, Michael Ealy, Tony Goldwyn, Arsenio Hall, Gabrielle Union, Regina Hall, Octavia Spencer, Archie Panjabi, Dennis Haysbert, Rickey Smiley, Nicole Beharie, and Lou Gossett Jr.  The 45th NAACP Image Awards will broadcast LIVE from the Pasadena Civic Auditorium on Saturday, February 22, 9 p.m. ET/PT tape-delayed as a two-hour star-studded special on TV One.  The telecast will also include a one-hour pre-show airing live from the red carpet (8 p.m. ET/PT tape-delayed).
Dennis Haysbert will also be the in-show announcer. In addition, the NAACP “Entertainer of the Year” will be revealed.  This special honor is bestowed upon an individual within the entertainment industry who has achieved notable success in multiple projects and mediums.  This year, individuals (including non-NAACP members) could cast their vote online via the Image Awards main website [www.naacpimageawards.net] to help decide who among the following contenders would be recognized: Beyoncé, Dwayne Johnson, Idris Elba, Kevin Hart, Nicole Beharie, and Oprah Winfrey.  Fans could cast their vote once a day until the February 14 deadline.
As previously announced, Academy Award-winning actor, producer, director and 2014 Image Award nominee Forest Whitaker will receive the NAACP Chairman’s Award.  Paris Barclay and Cheryl Boone Isaacs, the first African-American Presidents of the Directors Guild of America and the Academy of Motion Picture Arts & Sciences, respectively, will be inducted into the Image Awards Hall of Fame.
The NAACP Image Awards are recognized as the preeminent multi-cultural awards show, from an African-American point of view.  The NAACP Image Awards celebrates the accomplishments of people of color in the fields of television, music, literature and film and also honors individuals or groups who promote social justice through creative endeavors. Winners will be voted upon by NAACP members and announced when the envelopes are opened on Friday, February 21 during the Awards Ceremony for non-televised categories.  The remaining categories will be announced LIVE on stage during the TV One telecast on Saturday, February 22.
The NAACP Image Awards are being produced by Reginald Hudlin and Phil Gurin. The production team will also include Tony McCuin as Director and Suzanne Bender and Stephanie Sacco as Talent Producers.
Founded in 1909, the National Association for the Advancement of Colored People (NAACP) is the nation’s oldest and largest civil rights organization. The organization’s half-million adult and youth members throughout the United States and the world are the premier advocates for civil rights in their communities and monitor equal opportunity in the public and private sectors.
The 45th NAACP Image Awards are sponsored by: Walmart, UAW-Chrysler, FedEx, AT&T, Hyundai Motor America, Gilead Sciences, Wells Fargo, Ford Motor Company, PepsiCo, Southwest Airlines, Bank of America, Walgreens, General Motors, and AARP.

MAKE UP OR BREAK UP: WE tv’s MARRIAGE BOOT CAMP RETURNS

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Five former Bridezillas and their Grooms are pushed to the limits by Boot Camp Experts
 

NEW YORK –  After a decade of “Bridezillas,” many of America’s most notorious brides and their befuddled spouses are wondering why they ever walked down the aisle. Enter husband and wife counseling duo, Jim and Elizabeth Carroll and WE tv’s MARRIAGE BOOT CAMP. Premiering Friday, March 7 at 9p.m. ET/PT with 10 hour-long episodes, the second season of this addictive series follows the return of five iconic “Bridezillas” couples: Tasha & Jeff, Blanca & Julian, Sofia & Shaun, Mai-Lee & Tomas and Gloria & Mark—whose marriages are on the brink of destruction and now must endure this extreme marriage boot camp in a last attempt to live happily ever after…or not. 
 MARRIAGE BOOT CAMP chronicles five couples who live under the same roof for two solid weeks and are presented with grueling exercises and drills – both highly physical and emotional – designed to get at the root of what is destroying their marriage. The couples come to boot camp with some heavy baggage: Tasha & Jeff a couple from Eastvale, Calif. who has already filed papers to end their union; Blanca & Julian from Ontario, Calif. whose marriage has been torn apart because of finances; Sofia & Shaun from Philadelphia, Penn. who constantly get into screaming matches with each other; Mai-Lee & Tomas from Hialeah, Fla. who suffer from ongoing jealousy and trust issues; and Gloria & Mark from Columbus, Ohio whose marriage is simply on autopilot.
In the premiere episode, everyone’s dirty laundry is exposed as boot campers reveal the deepest, darkest secrets about their failing marriages. The first drill at boot camp begins quickly when couples must chose bricks labeled with the problems that plague their marriages. The boot campers are shocked to learn they must then tread water while holding these bricks weighing up to100 lbs., driving home the idea that they are literally drowning under the weight of their problems. Later an alcohol fueled fight sparks a mid-night standoff that immediately leaves the housemates divided.
At the end of boot camp, the couples are faced with the ultimate decision: remain married or throw in the towel. Will they change their ways or end up divorced?

Award-Winning Singer DeWayne Woods Hits Top 50 with First Radio Hit in Four Years

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DeWayneWoodsStellar Award winning recording artist DeWayne Woods is back on the gospel radio chart for the first time since his last radio hit “Living on the Top” in 2010. The singer’s rousing new anthem “Never Be The Same” pairs him with Maroon 5’s P.J. Morton who composed and produced Wood’s 2007 Top Ten breakthrough radio smash, “Let Go.”
“ P.J. was instrumental in creating a voice for me and he keeps helping to define that voice,” Woods says of the reunion with Morton. “We have such great chemistry like we did on `Let Go.’” The song recently debuted on the Top 50 Nielsen BDS gospel chart and will be featured on Woods’ first CD through his own Soul Therapy Music Group label. Soul Therapy has already enlisted Gerald Haddon who produced Isaac Carree’s #1 hit “In The Middle,” producer, Zeke Listenbee, who has written for Dorinda Clark Cole, and the legendary R&B band Mint Condition to contribute to the set. “We’re taking our time,” says Woods’ manager Wade Jordan. “We’re not rushing anything because we want the production and songs to be perfect reflections of who Dewayne Woods has evolved into as an artist.”

MUSICAL NOTES

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musical notesBy Esther Callens

Set to be in retail on February 25th is the new CD from the jazz trio TRI-FI.  Their latest, Staring into the Sun is a remarkable recording of some very great compositions. When speaking of trios, TRI-FI is at the top of the list by staying true to form in presenting nothing but the ultimate in original compositions.
TRI-FI is composed of Matthew Fries, Phil Palombi and Keith Hall.  These fellow musicians share a unique connection as in their liner note it is stated: “Ten years ago we had this idea…Back in 2004 we were three friends who had spent a  lot of time together playing concerts as a rhythm section to singer, Curtis Stigers.  We knew we had a special musical connection and wanted another outlet to develop our music as a trio:  music that is contemporary and personal, while still deeply rooted in the tradition of classic piano trios.  That’s when we began performing, composing and recording as TRI-FI.  Now this, our fifth album, is our newest collection of all original music.”
Little did they know that they were set to be phenomenal giants in the jazz genre.
There are 10 impressive tunes on Staring into the Sun.  The title track is composed of a complex tempo that gradually transcends in rhythm as it progresses. “Josie Bebop” is fast paced and spirited.  It is Hall’s masterpiece dedicated to his youngest daughter. Fries’ “Airstream” is a bright, recurring tune with lively undertones. “Cielo” embraces a flawlessly, relaxed arrangement that is mesmerizing.  This is one of Palombi’s finest. TRI-FI continues to raise the bar for trios. This is to be expected when three great musicians get together for a jam session.
Matthew Fries is the past winner of the Great American Jazz Piano Competition. Phil Palombi is a Grammy Award winning bassist. Keith Hall is the director of the Keith Hall Summer Drum Intensive and is an instructor of jazz drum set at Western Michigan University.
Track listings: Open Water, Circle dance, Cielo, Airstream, The Night Watch, Staring into the Sun, Song For Butterfly, Josie Bebop, Compassion.
Album personnel; Matthew Fries-piano, Phil Palombi-bass, Keith Hall-drums.

The Injustice File:  Sundown Towna

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Keith BeauchampBy Esther Callens

Investigation Discovery’s “The Injustice Files” has launched a deep exploration into America’s sundown towns. Filmmaker and host Keith Beauchamp has travelled cross country to some of the communities that excluded African Americans and other ethnic groups (Hispanics, Jewish, etc.) from residing or even being in town after sundown.  This all new Black History Month special is set to premiere in a one hour special on Monday February 24 at 8 p.m./7c.
The prevalence of these sundown towns was so dominant that Victor H. Green (Harlem New York Postal Carrier and Civic Leader) published The Negro Motorist Green Book from 1936 to 1966.  In the Green Book (as it was so known) were listings of hotels, restaurants, beauty and barber shops, service stations, automotive garages and numerous other businesses that would service African American patrons.  Likewise, sundown towns were not indigenous to the south only as Green and Beauchamp found them to be all over the United States.
Beauchamp’s findings were shocking. He stated:
“When we set out to film The Injustice Files:  Sundown Towns, my objective was to challenge the opinion that sundown towns still exist in America today. Can African-Americans really travel wherever they please in this modern America?” He further states: “Now having visited communities that were historically known as sundown towns, I am left with the sense that rules may have changed by the book, but towns still exist where the social standard hasn’t been reset.”
Martinsville, Indiana is one of the towns Beauchamp and his crew went to investigate the case of Carol Jenkins. She was a 21-year-old, African American woman that was murdered one dark evening as she was going door to door in town selling encyclopedias. He also travelled to Vienna, Illinois and spoke with Dr. James Loewen, the author of Sundown Towns: A Hidden Dimension of American Racism. Also, Beauchamp interviewed Dr. David Hoxie and his experience of being an African American doctor whose practice was run out of Waverly, Ohio, a sundown town in 2004.
The Injustice Files: Sundown Town is produced for Investigation Discovery by Al Roker Entertainment.

SPEAKING OF SOAPS

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tv-soap-operaBY MEREDITH COOPER

THE BOLD AND THE BEAUTIFUL
Eric felt pride in his family when Ridge made strides to get along better with Rick. Liam confronted Katie about her feelings for Ridge and attempted to convince her to act on them. Ridge assigned Carter a very important task outside of the usual Forrester Creations business. Donna confessed to Brooke about her re-emergence of feelings for an ex-lover. Despite Brooke’s persistence and honorable intentions, Katie was reluctant to grant her sister a considerable favor.  Quinn joyfully used Bill’s feelings for Brooke and disdain for Ridge to get under his skin. Still unsure about Quinn’s ulterior motives, Hope attempted to get more information from Wyatt about his mother. Ridge explained his history with Brooke to Maya and Carter. Liam reminded Katie that time was of the essence to let Ridge know that she wants to pursue a relationship with him. Katie thought that she would be hypocritical if she were to act on her feelings for her former brother-in-law. Rick put his past resentment towards Ridge aside for the sake of Brooke’s happiness. Bill contemplated making a grand gesture towards Brooke as a means to win her back. Katie was forced to come to terms with the sacrifice that she’s making in the name of family and honor.  Ridge voiced his gratitude for the current blessings in his life: love, his relationships and forgiveness. Liam became the voice of reason when Bill made threats to do something that he would later regret. Feeling that he had lost Brooke forever, Bill drowned his sorrows in a large bottle of scotch. Katie was given a pretty intense wakeup call about just how much she has fallen for Ridge. Brooke was determined to find out the reason behind Katie’s recent actions.
THIS WEEK: Donna makes a bold move when she plants a passionate kiss on an unsuspecting recipient. Bill is surprised to have found solace from his heartbreak in an unlikely source.

DAYS OF OUR LIVES
Theresa shocked Daniel by demanding that he sleep with her! Someone caught EJ and Abigail having a private conversation. Hope and Aiden started to warm up to each other – until Ciara inadvertently made things worse. Abigail informed Sami that she and EJ share a secret. A mysterious figure spied on Rafe and Jordan. JJ defeated Theresa once and for all. Jennifer took another step in moving on from Daniel. Nicole took a drastic step to ensure her future with Eric.  Later, Marlena grew suspicious of Nicole. Abigail confessed to EJ she can’t just walk away from him. Sonny and Gabi got into a heated fight when he accused her of throwing Kate and Sami under the bus. JJ finally admitted the truth to Jennifer! Sparks flew once again as Abigail fought to hang on to EJ. Brady and Eric had a bitter encounter. Brady later drowned his sorrows with Theresa.  Daniel defended Nicole to Marlena.
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THIS WEEK: Someone’s watching Rafe and Jordan. Brady drowns his sorrows with Theresa.

GENERAL HOSPITAL
It’s the night of Valentine’s Day in Port Charles. Duke’s attempt to reconcile with Anna over their conflicting work ethics led to a passionate solution. Things heated up during Molly and TJ’s study-date, but she wanted to make their first time together a special moment. After Sonny warned Ava she had better not be double-crossing him, she and Morgan had planned a clandestine evening together. Meanwhile, Britt’s fairy tale romance might be about to crumble into pieces when Liz threatened her. Nikolas had the ultimate Valentine’s Day surprise for Britt, despite the confession she knew she must make. Liz grappled with feelings for her true love. Meanwhile, Franco fought for his life. When Patrick found out why Robin had been distancing herself from him and Emma, he gave her an ultimatum. Dante and Lulu were thrown for a loop. Felix wondered if he and Brad were on the same page. Morgan had a warning for Lucas about Julian’s true nature. As the feud between The Corinthos and The Jeromes heated up, the loyalty between Julian and Ava is severely tested. Unbeknownst to Robin, Patrick intended to take their predicament to Anna.  A confused Liz sought out advice for her quandary with Nikolas. An enamored Nikolas dismissed Britt’s concerns about Baby Ben. Lulu had plenty to worry about, including the whereabouts of her missing father.  Lucy realized she hadn’t seen her lover, Scott, since he went to the Institute to talk to Heather. An unexpected visitor put Nikolas in a compromising position. While Anna got to the bottom of the missing Luke and Scott, Tracy couldn’t help but notice Lucy’s keen interest in the situation. Just as Robin and Patrick thought they had a solution to their problem, an uninvited Victor showed up with a revelation of his own. An emboldened Liz hoped Nikolas would see things her way. Lulu was happy for Dante but had difficulty hiding her true feelings. Robin’s incredulous announcement left Emma in tears and Patrick bereft. Kiki lied to Michael about Franco and nearly destroyed his relationship with Morgan. She went to Silas and poured out her romantic woes. Sam was surprised then touched when Julian showed her a caring side of himself.
THIS WEEK: TJ hopes Molly is ready for his news about getting them a hotel room. Olivia wants to give sage advice to the young couple, but will they listen?

THE YOUNG AND THE RESTLESS
As the Gala got underway, Lily told Kelly that she arranged a blind date for her. When Lily described the man, Kelly mistakenly thought it’s Jack. Kelly chatted with Jack but told him she wasn’t looking for romance. A man named James introduced himself as Kelly’s blind date and Kelly realized the mistake she made and she apologized to Jack. Hilary took note of Kelly and Jack’s chemistry and was hit with a bit of jealousy. Stitch told Dylan that his wife had started divorce proceedings.  Chloe was surprised to see Chelsea at the benefit but asked her to stay. Nick and Sharon arrived with Faith who was excited to see that Summer had arrived as well.  Tyler took a phone call from Mariah and agreed to meet with her.  Colin told Cane that he didn’t think it would be long before everyone realized he has turned over a new leaf. Meanwhile, Lauren confronted Jill about her relationship with Colin. Jack convinced Chelsea to stick around for the auction. Tyler admitted to an upset Abby that he went to see Mariah. Sharon had another encounter with Cassie and asked if she’s seeing her because of the secret she’s keeping from Nick. Nick found Sharon and offered to bring her back home after he saw that she’s clearly shaken up. At the coffee house, Sharon admitted to Nick that she saw Cassie again. Nick wanted her to move up her next therapy appointment and vowed to help her through this. Across town, Avery and Dylan enjoyed a romantic evening together and celebrated their happiness without having to sneak around or worry about their pasts. Meanwhile, Ian found Summer at Crimson Lights with Faith and realized they’re Nikki’s grandchildren.
THIS WEEK: Summer tells Ian that she is ready for his help and agrees to a meeting with him.  Nick insists on staying at Sharon’s for the night.

Little Known Black History Fact: Church Hats

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By Erica Taylor, The Tom Joyner Morning Show
Special to the Times

The earliest known traditional hats in history were worn in Thebes and seen on ancient Egyptian murals. Next there were Phrygian caps that were worn by the freed slaves in Rome, signifying their independence. As the centuries went by, the traditional use of hats worn by women in church is said to originate from the Apostle Paul’s words in 1st Corinthians 11:15, which says that women should cover their heads during worship. Black women have since embraced those words with elaborate church hats.
During and after slavery, Black women who worked as maids and servants broke away from their uniforms on Sunday and wore decorated hats to service. The hat, no matter what material it was made from, was adorned with ribbons, bows and flowers. It was the Black woman’s one day of individualism. Since then, church hats have gotten bigger and bolder.
One of America’s most famous milliners, or hat maker, is remembered in a new permanent collection by the Smithsonian National Museum of African American Culture. The work of Mae Reeves, a milliner to the elite Black women of the past, will have her shop re-created in the museum. During the 1940s and ’50s, Mae Reeves supplied original hat creations to Lena Horne, Ella Fitgerald, Eartha Kitt and Marian Anderson. Reeves is now 99 years old and her granddaughter, Donna Limerick, carries on the memory of her grandmother’s legacy by putting Reeve’s hats on display.
Women such as Vanilla Beane, age 94 and another East Coast milliner, kept her shop doors open for decades, Bené Millinery on Third Street NW. One of her most famous clients was the late Dr. Dorothy Height.
Black women and church hats were celebrated in the book “Crowns” (2000) by Michael Cunningham and Craig Murberry. The book tells the stories behind Black women and their hats,

Excerpt from Crowns:
Don’t wear a hat wider than your shoulders. Don’t wear a hat that is darker than your shoes. If your hat has feathers, make sure they are never bent or broken. Sequins don’t look good in the daytime. Easter hats should be white, cream or pastel — even if it’s still cold outside. For a look that is both elaborate and demure, try a chapel veil.
In 2002, an off-Broadway production of the book was released by playwright Regina Taylor.  The gospel musical celebrates the role of hats in Black southern culture.

Macy’s Salutes Culture-Defining Eras of Black Style in Celebration of Black History Month 2014

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Macy's Black HistoryFamed fashion editor and style expert Constance White will lead panel discussions surrounding Black style along with fashion icons including supermodel Beverly Johnson and actress Tracee Ellis Ross as part of a nationwide Macy’s in-store event series

NEW YORK (BLACK PR WIRE) –This February, culture-defining trends take center stage as Macy’s examines the influence of Black style in celebration of Black History Month 2014. From the Harlem Renaissance to urban wear and high-fashion glamour, Black style has influenced popular culture for decades. Through special events and panel discussions at select Macy’s stores across the country, style experts and thought leaders, such as famed fashion editor Constance White, supermodel Beverly Johnson and actress Tracee Ellis Ross, will highlight the uniqueness of Black fashion and how many of these styles have been adopted, reinterpreted and reinvigorated by new generations, inspiring countless fashion-savvy ladies and gentlemen of today.
“As a retailer with more than 150 years of fashion history, Macy’s has seen the evolution of Black style firsthand and we are thrilled to examine and celebrate the style icons and trends that have defined generations, in honor of Black History Month,” said Martine Reardon, chief marketing officer for Macy’s. “As part of our annual celebration of the cultural and historical contributions made by African-Americans, these series of events will take a meaningful fashion journey through time, highlighting Black style influences past, present and future.”
For more than 15 years, Constance White has defined her legacy as a fashion reporter and style guru for women, especially African-American women. She has served as a fashion reporter for the “New York Times” and editor-in-chief of “Essence”. Now consulting editor for Silicon Valley start-up Ozy.com, White also made history as the first and only Black executive fashion editor at a major fashion magazine, “Elle.” With her new guest role as lead panelist at select Macy’s stores, White will share her insight into popular trends originating in the African-American community, current style leaders shaping the fashion landscape and her advice for pulling off some of the most popular trends seen on the sidewalk and the catwalk.
“Black culture has impacted style around the world from the rich Holland cloth of Nigeria to the cool turbans young women and men are wearing in every American city. It’s a style that’s rich, innovative and cool. I’m excited to join Macy’s in giving it its due,” said Constance White.
Macy’s Black History Month Celebration 2014 also coincides with the 40th anniversary of Beverly Johnson’s historic “VOGUE” cover. In August 1974, Beverly became the first Black model to grace the cover of the iconic magazine. This event broke the color barrier in the fashion world, forever changing the beauty ideal in the fashion world and paved the way for future Black women in the fashion industry. A long-time entrepreneur and hair and fashion influencer, the “New York Times” has named her to their “20th Century’s 100 Most Influential People in the Fashion Industry” list.
“I was very excited to learn that Macy’s is devoting a great deal of time and energy to the subject of Black style and how it influences pop culture,” Johnson commented. “Tracee Ellis Ross and Constance White always have something insightful and entertaining to offer, and I look forward to appearing with them.”
Following the panel discussion, Macy’s will host a reception for its customers along with an informal fashion show highlighting recreated trends from different style eras.

From Feb. 1-28, visit macys.com/celebrate to enter for a chance to win a Delta Vacations trip for two to New York City and a $1,000 Macy’s shopping spree. (Please visit www.macys.com/celebrate for complete entry rules or visit the event store for more information).

Mammy archetype

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Mammy AchetypeHistory
The term “mammy” in the American Southland remained in widespread use through the early 1980s as a term of great respect for any Black women who took care of white children. In the South it is still not proper to refer to anyone as God Father or God Mother, as this is thought to be anti-Christian. Rather, the Southern people (both white and Black) use “Aunt” and “Uncle” to show respect for unrelated elders.
One of the earliest fictionalized versions of the mammy figure was Aunt Chloe in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852). As the mammy figure progressed into the 20th century, the persona was sacrificed to the demands of the white majority, who widely mythologized the figure. Even memoirs which describe the roles of mammies from the 1890s to the 1920s downplayed the mammy’s relationship with her family.
Characteristics
The mammy often had physical attributes that the Western culture would associate with masculinity. The mammy was usually a grossly overweight, large-breasted woman who is desexualized, maternal, and nonthreatening to white people but may be hostile towards men. Many of these characteristics were denied to African American female slaves but were generally attributed to the mammy.
The dress often reflected the status of her owner or employer. The mammy was usually neat and clean and wore attire that was suitable for her domestic duties. Sometimes a mammy considered herself to be “dressed up”, but that was usually just an addition of a bonnet and a silk velvet mantle, which probably belonged to her mistress. Sometimes she would even don a Sunday black silk.
Like most of the slaves at that time, the mammy was often illiterate though intelligent in her own sense. Among many of the slaves, there could have been a mammy who possessed the abilities to read and write, often taught to her by the children of the family for whom she worked. However, as intelligent as she might have been, most of her intelligence was a result of past experiences and conflicts. In particular, a mammy of an aristocratic family could be identified by her air of refinement.
When the mammy did not stay in the house of her master or was not busy attending to the needs of the master’s children, she would usually live in a cabin that was distinguished differently than the cabins of the other servants in either size or structure with her husband and children. Her cabin stood near the “big house”, or the master’s house but at a distance from the cabins of the other servants.
Although the duties were far less tiring and strenuous than those of the other servants, her hours were often long, leaving little time for her own leisure. It was not until the mammy had become too old for these duties that she would enjoy any home life of her own, since she was always preoccupied with the home life of her master. There was a flexibility about the mammy’s duties that distinguished her from just being an ordinary nurse or a wet nurse, even though there was a possibility that she could perform either of these tasks. In some of the more wealthy households, the mammy had assistants that would help her take care of the household’s children. These women were often much younger than the mammy herself.
The mammy, unlike the other servants, was usually not up for sale, and the children of the mammy would be kept in the same family for as long as possible, retaining the same relationships that the mammy had with the master.
Roles in plantation households
The role of the mammy in plantation households grew out of the roles of African American slaves on the plantation. African American servants played vital roles in the plantation household. The majority of these duties generally were related to caring for the children of the family, thus relieving the mistress of the house of all the drudgery work that is associated with child care. When the children had grown up and were able to take care of themselves properly, the mammy’s main role was to help the mistress with household tasks. As her years of service with the family increased, the mammy’s sphere of influence increased as well. She was next to the mistress in authority and had the ability to give orders to everybody in the house.
The mammy was often considered to be part of the family as much as its blood members were considered. Although she was considered of a lower status, she was still included in the inner circle. She has often been referred to as a “unique type of foster motherhood.” Aside from just tending to the needs of the children, the mammy was also responsible for teaching the proper etiquettes to them, such as addressing the elders on the plantation as “aunt” or “uncle”, as well as what was best to say on a particular occasion and what was not. The mammy was able to discipline their children whenever they performed something undesirable and was able to retain their respect towards her, even after the children had grown to adults.

SOUL FOOD

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Soul food is a variety of cuisine popular in African-American culture. It is closely related to the cuisine of the Southern United States. The descriptive terminology may have originated in the mid-1960s, when soul was a common definer used to describe African-American culture (for example, soul music).
The term soul food became popular in the 1960s. The origins of soul food, however, are much older and can be traced back to Africa and to Europe, as well. Foods such as rice, sorghum (known by some Europeans as “guinea corn”), and okra — all common elements of West African cuisine — were introduced to the Americas as a result of the trans-Atlantic slave trade. They became dietary staples among enslaved Africans. They also comprise an important part of the cuisine of the American south, in general. Many culinary historians believe that in the beginning of the 14th century, around the time of early Euro-African exploration, European explorers brought their own food supplies and introduced them into local African diets. Foods such as corn and cassava from the Americas, turnips from Morocco, and cabbage from Portugal would play an important part in the history of African-American cooking.
When the Europeans began their African slave trade in the early 15th century, the diet of newly-enslaved Africans changed on the long journeys away from their homelands. It was during this time that some of the indigenous crops of Africa began showing up in the Americas.
European enslavers fed their captive workers as cheaply as possible, often with leftover/waste foods from the plantation, forcing slaves to make do with the ingredients at hand. In slave households, ‘vegetables’ consisted of the tops of turnips, beets, and dandelions. Soon, African-American slaves were cooking with new types of “greens”: collards, kale, cress, mustard, and pokeweed. They also developed recipes which used lard, cornmeal, and offal; discarded cuts of meat such as pigs’ feet, oxtail, ham hocks, pig ears, pork jowls, tripe, and skin. Cooks added onions, garlic, thyme, and bay leaf as flavor enhancers. Slave owners provided their slaves with the poor parts of the pig such as the small intestines: chitterlings were a dish of poor people in medieval England and the name was adopted by the African-Americans through their European slave owners to “chitlins”. Some African-American slaves supplemented their meager diets by gardening small plots given to them for growing their own vegetables; many engaged in subsistence fishing and hunting, which yielded wild game for the table. Foods such as raccoon, squirrel, opossum, turtle, and rabbit were, until the 1950s, very common fare among the then still predominantly rural and Southern African-American population.
Because it was illegal in many states for enslaved Africans to learn to read or write, soul food recipes and cooking techniques tended to be passed along orally, until after emancipation. The first soul food cookbook is attributed to Abby Fisher, entitled What Mrs. Fisher Knows About Old Southern Cooking and published in 1881. Good Things to Eat was published in 1911; the author, Rufus Estes, was a former slave who worked for the Pullman railway car service. Many other cookbooks were written by African Americans during that time, but as they were not widely distributed, most are now lost.
Since the mid-20th Century, many cookbooks highlighting soul food and African American foodways, compiled by African Americans, have been published and well received. Vertamae Grosvenor’s Vibration Cooking, or the Travel Notes of a Geechee Girl, originally published in 1970, focused on South Carolina “Lowcountry”/Geechee/Gullah cooking. Its focus on spontaneity in the kitchen—cooking by “vibration” rather than precisely measuring ingredients, as well as “making do” with ingredients on hand—captured the essence of traditional African American cooking techniques. The simple, healthful, basic ingredients of lowcountry cuisine, like shrimp, oysters, crab, fresh produce, rice and sweet potatoes, made it a bestseller.
At the center of Black American food celebrations is the value of sharing. Therefore, African American cookbooks often have a common theme of family and family gatherings. Usher boards and Women’s Day committees of various religious congregations large and small, and even public service and social welfare organizations such as the National Council of Negro Women (NCNW) have produced cookbooks to fund their operations and charitable enterprises. The NCNW produced its first cookbook, The Historical Cookbook of the American Negro, in 1958, and revived the practice in 1993, producing a popular series of cookbooks featuring recipes by famous African Americans, among them: The Black Family Reunion Cookbook (1991), Celebrating Our Mothers’ Kitchens: Treasured Memories and Tested Recipes (1994), and Mother Africa’s Table: A Chronicle of Celebration (1998). The NCNW also recently reissued The Historical Cookbook.
Celebrated traditional Southern chef and author Edna Lewis wrote a series of books between 1972 and 2003, including A Taste of Country Cooking (Alfred A. Knopf, 1976) where she weaves stories of her childhood in Freetown, Virginia into her recipes for “real Southern food.”
Another organization, the Chicago-based Real Men Charities, in existence since the 1980s, sponsors food-based charitable and educational programs and activities around the USA. As its primary annual, celebrity-studded fundraiser, Real Men Charities sponsors “Real Men Cook” events and programs in 15 cities nationwide, where African American men gather to present their best recipes—some original, others handed down for generations—for charity. The event is timed to coincide roughly with Juneteenth and Father’s Day and is promoted with the slogan “Every day is Family Day When Real Men Cook.” In 2004, Real Men rolled out its Sweet Potato Pound Cake Mix in select food retailers in several cities, and published a cookbook in 2005 titled Real Men Cook: Rites, Rituals and Recipes for Living. Proceeds from these enterprises help fund the organization’s varied operations and activities. And recently, Food Network personalities Pat and Gina Neely and Paula Deen have released cookbooks in the spirit of their restaurants and television franchises. A show based around former Ikette Robbie Montgomery and her soul food restaurant with clips of the food was shown on the OWN (Oprah Winfrey Network) at 9/8 c on Saturday nights.
Health concerns
Traditionally-prepared soul foods tend to be very high in starch, fat, sodium, cholesterol, and calories. In contemporary times, some traditional-style soul foods have been implicated in the abnormally high rates of high blood pressure (hypertension), diabetes, clogged arteries (atherosclerosis), stroke, and heart attack suffered by African-Americans – especially those living in the Southern and Central United States.
An important aspect of the preparation of soul food was the reuse of cooking lard. Because many cooks could not afford to buy new shortening to replace what they used, they would pour the liquefied cooking grease into a container. After cooling completely, the grease re-solidified and could be used again the next time the cook required lard.
With changing fashions and perceptions of “healthy” eating, some cooks may use preparation methods that differ from those of cooks who came before them: using liquid oil like vegetable oil or canola oil for frying and cooking; and, using smoked turkey instead of pork, for example. Changes in hog farming techniques have also resulted in drastically leaner pork, in the 21st and late 20th centuries. Some cooks have even adapted recipes to include vegetarian alternatives to traditional ingredients, including tofu and soy-based analogues. Critics and traditionalists have argued that attempts to make soul food healthier also make it less tasty, and even less culturally/ethnically authentic.
Isolated ingredients of a soul food diet do have pronounced health benefits. Collard and other greens are rich sources of several vitamins (including vitamin A, B6, folic acid or vitamin B9 and C), minerals (manganese, iron, calcium, and fiber, and small amounts of omega-3 fatty acids. They also contain a number of phytonutrients, which are thought to play a role in the prevention of ovarian and breast cancers. However, since traditional-style cooking of soul food vegetables requires high temperatures and/or long time periods, the water-soluble vitamins (e.g., Vitamins A and C) are either destroyed or leached out into the water in which it is cooked. Additionally, the high quantity of oils used in preparing such ingredients means the final product might contain only a small amount of vegetable relative to the total amount of calories per serving. Peas, rice, and legumes are excellent, inexpensive sources of protein; they also contain important vitamins, minerals, and fiber. Sweet potatoes are a tremendous source of beta carotene and trace minerals, and have come to be classified as an “anti-diabetic” food. Recent animal studies have shown that sweet potatoes, if consumed plain and in modest amounts, can stabilize blood sugar levels and lower insulin resistance.